Robin Morgan, a wholesome child star of the 1940s and ‘50s who grew up to become a poet, essayist, editor and second-wave feminist, has died.
asserted
who → grow → 1940s
Morgan's death was confirmed Saturday by the Women's Media Center (WMC), an organization which she co-founded with Jane Fonda and the celebrated author and activist Gloria Steinem, who died Wednesday.
asserted
who → confirm → Fonda
WMC President Julie Burton called Morgan “one of the architects of the contemporary women’s movement,” hailing her writing and “global leadership for justice and equality."
asserted
Burton → call → justice
The statement didn't specify the location, date or cause of Morgan's death.
asserted
statement → specify → death
During the 1960s and ’70s, Morgan embodied and inspired historic changes in how women lived and thought.
asserted
women → embody → changes
As she was happy to point out, the one-time “Ideal American Girl” and adored “Little Robin Morgan” was a rule-breaker and justice seeker with a notable list of achievements, along with a prison record and an FBI file.
asserted
Girl → point → record
Morgan was at the center of some of the defining moments of what came to be called second-wave feminism, expanding upon the achievements of the suffragists a half-century earlier.
asserted
what → come → suffragists
In 1968, she was among the organizers of the first protest against the Miss America pageant, joining fellow activists in tossing their bras (soon mythologized as burning) into a “Freedom Trash Can.”
asserted
she → join → Can
The 1970 essay anthology she edited, “Sisterhood is Powerful,” is considered one of the essential texts of the modern women’s movement.
asserted
Sisterhood → edit → movement
Morgan is widely credited with coining the term “herstory,” the feminist reworking of “history,” and popularizing the clenched fist/female symbol icon of the liberation movement.
asserted
Morgan → credit → movement
Her poem “Monster,” with such lines as “I want a women’s revolution like a lover/I lust for it,” was quoted at feminist rallies and beyond.
asserted
I → want → rallies
Her poem “Arraignment” helped capture the movement’s embrace of the late Sylvia Plath and condemnation of her husband, poet Ted Hughes.
asserted
poem → capture → husband
Morgan’s rhyming couplet “I accuse/Ted Hughes” inspired the title for Sonic Youth’s “J’Accuse Ted Hughes.”
asserted
I → rhyme → Hughes
Labeled an “anarchist housewife” in one government report, Morgan confronted the establishment, left and right.
asserted
Morgan → label → establishment
In 1970, she and fellow protesters were arrested and jailed after occupying the offices of the avant-garde Grove Press, whose owner, Barney Rosset, was fighting employees’ efforts to unionize.
asserted
owner → arrest → efforts
In the widely reprinted 1970 essay “Goodbye to All That,” she called out activists and libertines from Abbie Hoffman and Hugh Hefner to Dave Dellinger and the music group the Fugs.
asserted
she → reprint → Dellinger
"Goodbye to the male-dominated peace movement, where sweet old Uncle Dave can say with impunity to a woman on the staff of Liberation magazine, The trouble with you is you’re an aggressive woman,” she wrote.
asserted
she → dominate → you
“Goodbye to the idea that Hugh Hefner is groovy ’cause he lets Conspirators come to parties at the Playboy Mansion — goodbye to Hefner’s dream of a ripe old age.
asserted
Conspirators → let → age
Goodbye to Tuli and the Fugs and all the boys in the front room — who always knew they hated the women they loved.
asserted
they → know → women
Goodbye to the notion that good ol’ Abbie is any different from any other up-and-coming movie star who ditches the first wife and kids, good enough for the old days but awkward once you’re Making It.”
asserted
you → come → It
In her personal life, Morgan had male and female lovers and was married for more than 20 years to the gay poet Kenneth Pitchford, with whom she had a son, the musician, activist and record company executive Blake Morgan.
asserted
she → have → son
She once described her marriage as a “two-member commune” and was so resistant to labels that she remembered being “straight-baited” by feminists who thought she should be a lesbian and chastised by conservatives who assumed she was a lesbian.
asserted
she → describe → conservatives
In her 2001 memoir “Saturday’s Child,” she expressed joy and amazement at how her life turned out and how she was able to retain “a threadbare, somewhat surreal sense of humor.”
asserted
she → express → humor
“Put that in your apple pie and smoke it,” she wrote.
asserted
she → put → it
Besides “Saturday’s Child,” she completed more than 20 books, including “The Word of a Woman: Feminists Dispatches,” and the poetry collections “Monster” and “Dark Matter.”
asserted
she → complete → Woman
She followed “Sisterhood is Powerful” with “Sisterhood is Global” (in 1984), and “Sisterhood is Forever” (2002), featuring such contributors as Gloria Steinem, Simone de Beauvoir and Eve Ensler.
asserted
Sisterhood → follow → Steinem
Steinem would call her an ideal “utility player,” gifted in almost every way a protest movement might require.
uncertain
movement → call → way
As an organizer, she helped found such 1960s feminist groups as New York Radical Women and Women's International Terrorist Conspiracy from Hell (W.I.T.C.H.).
asserted
she → find → Hell
She was part of the Youth International Party, the left-wing “Yippies” led by Hoffman and Jerry Rubin among others, but soon became disgusted with how the group treated women and left.
asserted
group → lead → women
In 2005, she, Steinem and Jane Fonda launched the Women’s Media Center, which has a mission to support “the visibility, viability and decision-making power of women and girls in media.
asserted
which → launch → media
More recently, she hosted a syndicated radio show and remained active despite being diagnosed with Parkinson’s, which inspired several poems and a TEDWomen talk in 2015.
asserted
which → host → 2015
A celebrity turns
asserted
celebrity → turn → ?
In a different era, she might have been just another forgotten child star.
uncertain
she → forget → era
Born in 1941 in Lake Worth, Florida, and raised in New York, she never saw her father while growing up and was told — falsely — by her mother that he was dead.
asserted
he → bear → mother
Her mother also shaved a year off her age, claiming she was born in 1942, to make her early public career seem even more impressive.
asserted
career → shave → 1942
The blonde, talented Robin was modeling by age three, hosted her own “Little Robin Morgan” radio show at age five and around the same time was featured on the radio (later television) game show, “Juvenile Jury.”
asserted
Robin → model → show
From 1949-57, she appeared in the hit TV domestic comedy series “Mama” and made appearances on “Robert Montgomery Presents,” “Kraft Theater” and other shows.
asserted
she → appear → Presents
She would meet some of the era’s biggest stars, from Abbott and Costello to Sal Mineo, and was popular enough to inspire such commercial tie-ins as Robin Morgan dolls.
asserted
She → meet → dolls
Magazines described her as “unspoiled” and “courteous” and “the ideal girl-next-door,” immune from “violent outbursts of antagonism against established society.”
asserted
Magazines → describe → society
But off camera, and sometimes on, she was so far from her image that her first “serious” childhood poem began: “Go, rage, winter the world with despair.”
asserted
poem → begin → despair
…and 12 more, not listed.
