👤 Stephanie Zacharek

2026-10-16 · TIME · Entertainment

Daisy Edgar-Jones Is the Austen Heroine We Need in a Charming Sense and Sensibility

3 outlets covered this event

2026-10-16 · TIME · Entertainment

Once Upon a Time in Harlem Is One of the Great Documentaries of the Year

2 outlets covered this event

2026-10-16 · TIME · Entertainment

Elizabeth Holmes Is Not the Problem With You Can See Everything

no other outlet in the corpus covered this

2026-10-09 · TIME · Entertainment

Rosalind Eleazar Gives One of the Year's Best Performances in the Acerbic and Tender Misty Green

no other outlet in the corpus covered this

2026-10-07 · TIME · Entertainment

Aaron Sorkin's The Social Reckoning Is a Brisk, Old-School Journalism Thriller

no other outlet in the corpus covered this · leans left

2026-09-25 · TIME · Entertainment

In Ha-Chan, Shake Your Booty!, Dance and Desire Are Remedies for Grief

no other outlet in the corpus covered this

2026-09-04 · TIME

🔮 But it all makes a kind of sideways sense, especially if, before watching, you can will yourself into a Herzogian brainspace, a place where possibly nonexistent elephants roam the Earth, where ancient cave drawings bear witness to the enduring creativity and wonder of humankind, where mad dreamers insist it’s possible to haul a multi-ton ship over a mountain. assertive

2026-09-04 · TIME

🔮 Writer-director Martin McDonagh’s Wild Horse Nine—playing in competition here at the Venice Film Festival—might prompt you to ask those questions, though it doesn’t fully answer them. assertive

2026-09-06 · TIME

🔮 Ye-ji is thrilled to have found Mi-ok and Ho-seok as subjects—she’s particularly interested in the melancholic Ho-seok, who, she believes, could be the dramatic key her project. assertive

2026-09-07 · TIME

🔮 The show worked like this: A crusading organization called Perverted Justice would initiate conversations in online chatrooms designed to attract potential sex offenders. assertive

2026-09-18 · TIME

🔮 If Zach Cregger’s career tells us anything, it’s that starting out as a comedian might be the best training for becoming a horror filmmaker. assertive

2026-09-18 · TIME

🔮 In one episode, Wilson walked around a New York neighborhood until he saw an Italian flag, figuring that the person who’d hung it would know enough about Italian food to help him learn to cook risotto, which he wanted to make as a treat for his elderly, babushka’ed landlady. assertive

2026-09-25 · TIME

🔮 Then his wife dies suddenly, making him a single dad with three kids to care for, teenager Fatiha (Adia), her younger brother Qadir (Jahleel Kamara), and an infant, Aziza, who can’t tolerate baby formula; only her mother’s breast milk will do, and supplies are quickly running out. assertive

2026-09-25 · TIME

🔮 A fling might be just what she needs. assertive

2026-10-07 · TIME

🔮 Somehow, the runtime slips by faster than you might have expected. assertive

2026-10-09 · TIME

🔮 But she’s also prickly and unpleasant—she has alienated most of the people who might be able to help her—and a self-destructive streak hinders her further: She’d rather go out for a night of clubbing and coke than stay in and learn her lines for the next day’s important audition. assertive

2026-10-16 · TIME

🔮 Warning: This post contains spoilers for You Can See Everything We might like to believe that documentary filmmakers are adamantly neutral parties, aiming their cameras at people who are just being themselves and, later, turning whatever the camera captures into objective truth. assertive

2026-10-16 · TIME

🔮 When news got around that a new movie version of Sense and Sensibility was in the works, cries of dismay rang forth from Bath to Brooklyn. assertive

2026-10-16 · TIME

🔮 In 1972, filmmaker William Greaves arranged what we now know was one of the great parties of the 20th century: He commandeered the Harlem apartment of Duke Ellington and arranged for a special group of old friends and colleagues, many of whom had not seen one another in 50 years, to reconnect. assertive