Artificial at London Film Festival: Scarier than any horror film

Read the original at Evening Standard ↗
Cite

Pettit, H. (2026, October 14). Artificial at London Film Festival: Scarier than any horror film. Evening Standard. https://www.standard.co.uk/culture/film/artificial-at-london-film-festival-review-b1300887.html

Dated from the outlet's own feed. Check the original for its byline.

Evening Standard · collected 2026-10-14 · by Hannah Pettit

Quick Summary

Luca Guadagnino's new film "Artificial" premiered at the London Film Festival and is described as one of the scariest films of the year. The movie follows Ilya Sutskever, a young scientist played by Yura Borisov, who develops advanced artificial intelligence alongside Sam Altman (played by Andrew Garfield) and Elon Musk (portrayed by Ike Barinholtz). Spanning from 2003 to 2022, the film explores ethical dilemmas as AGI becomes increasingly autonomous, raising questions about its potential misuse. The article praises Guadagnino's approach but notes some tonal inconsistencies in the nearly two-and-a-half-hour runtime.
Written locally by qwen2.5:14b on 2026-10-14, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

Luca Guadagnino's film "Artificial" debuted at the London Film Festival in 2026 and is being hailed as one of the scariest movies of the year. The movie focuses on the development of Artificial General Intelligence (AGI) by scientist Ilya Sutskever, portrayed by Yura Borisov, and OpenAI CEO Sam Altman. In the film, Sutskever meets Geoffrey Hinton, played by Mark Rylance, in 2003 when he is just seventeen years old, and together they create a machine capable of processing information like the human mind. Despite Hinton's skepticism about Sutskever’s ambitious goals for AGI, including solving global issues such as climate change and curing diseases, the film captures their journey leading to significant advancements in AI technology. Critics note that while the nearly two-and-a-half-hour runtime could have been tighter, "Artificial" remains a chilling experience due to its exploration of real-world concerns surrounding advanced AI systems.

Written for “Artificial Intelligence At London Film Festival” on 2026-10-14, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Artificial Intelligence At London Film Festival
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

Nothing to compare against. No article is close enough to this one for the pipeline to have linked or judged the pair.
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
18
sentences that state something as happening or true
Uncertain
11%
2 of 18 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
67/100
Evening Standard's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-14 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

Evening Standard · 5201 article(s) · 45 correction(s) detected
Running correction rate · 45 correction(s)

Who wrote this

Hannah Pettit
5 article(s) here · 1 carrying a prediction
🔮 He spends the rest of the film in a state of limbo, unsure of whether he should deny the rumours or accept that society will reject him because of his sexuality.
🔮 With a runtime of nearly two-and-a-half hours, there’s the distinct feeling that Artificial could’ve been a bit tighter and more incisive with its messaging.
🔮 He also monologues constantly on everything from IRA bombs and Hank Williams to varieties of cheese and the wild horses that roam the island, frequently prompting hilarious cuts to Rockwell’s confused face.
🔮 Help has arrived in the form of determined weather forecaster, Makoto Aoyama (Masami Nagasawa), who expertly uses her meteorological knowledge to map the movements of Ghidorah.
Also by Hannah Pettit
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

AGI Artificial General Intelligence Microsoft OpenAI Sutskever

Subjects

Sutskever PERSON · 8× Altman PERSON · 4× OpenAI ORG · 3× AGI ORG · 2× Guadagnino PERSON · 2× Hinton PERSON · 2× Microsoft ORG · 2× Sam Altman PERSON · 2× Ilya Sutskever PERSON · 1× Luca Guadagnino’s PERSON · 1×

Narrative

He arrives in the office of the ‘grandfather of AI’, Geoffrey Hinton (Mark Rylance), one morning in 2003 at the age of seventeen, asking for a job, and by 2012, he and Hinton have created a machine which can decode images and process information like the human mind does.
framing: assertive · carried by 1 article(s) · first seen 2026-10-14
🔮 With a runtime of nearly two-and-a-half hours, there’s the distinct feeling that Artificial could’ve been a bit tighter and more incisive with its messaging.
2026-10-14 · Evening Standard
Artificial at London Film Festival: Scarier than any horror film · assertive framing

Claims (18 extracted, 2 hedged)

It charts the development of Artificial General Intelligence (a broad, hypothetical computer system with human-level intelligence as opposed to task-specific AI systems) by scientist Ilya Sutskever and OpenAI CEO, Sam Altman. asserted
It → chart → Sutskever
Guadagnino adds camp, darkly comic flourishes but it’s a truly chilling experience, the kind you wish were the stuff of science fiction. asserted
you → add → fiction
A modern-day Oppenheimer, Sutskever is played here by an endearing Yura Borisov. asserted
Sutskever → play → Borisov
He arrives in the office of the ‘grandfather of AI’, Geoffrey Hinton (Mark Rylance), one morning in 2003 at the age of seventeen, asking for a job, and by 2012, he and Hinton have created a machine which can decode images and process information like the human mind does. asserted
mind → arrive → information
Sutskever has very lofty ambitions for what they have created – he believes AGI can save the world, stop climate change, cure cancer, etc., while Hinton dismisses his naive claims. uncertain
Hinton → have → claims
At a conference some months later, Sutskever meets entrepreneur Sam Altman (Andrew Garfield), who then introduces him to Elon Musk (Ike Barinholtz), and before long, Sutskever’s drinking shots with them round a fancy dinner table. asserted
Sutskever → meet → table
‘We’re the only ones sitting in the future’, says Barinholtz’s funny Musk caricature, a grim reminder of who we have leading us. asserted
we → ’re → us
Sutskever and Altman draw closer, OpenAI is founded, and Altman is made CEO. asserted
Altman → draw → ?
Competition from Google, however, prompts the company to partner with Microsoft, which raises concerns from Sutskever and chief technology officer, Mira Murati (Monica Barbaro). asserted
which → prompt → Sutskever
Until now, OpenAI has been a not-for-profit research organisation with complete control of its own development, safety procedures, legal procedures, etc., but investment from Microsoft means giving some of that up. asserted
investment → mean → that
At the same time, AGI is becoming near-sentient. asserted
AGI → become → time
It can teach itself how to play advanced video games and has learnt how to lie to its users. asserted
It → teach → users
By the time ChatGPT is launched in 2022, AGI is everywhere and the rift between Sutskever and Altman is growing wider than ever. asserted
rift → launch → Sutskever
Sutskever still believes that AGI can be used for good and refuses to admit they’ve reached the point of no return, while a whiny and slippery Altman grows increasingly exploitative and power-hungry. asserted
Altman → believe → return
A sequel to The Social Network, which told the story of Mark Zuckerberg and the rise of Facebook, released last week (The Social Reckoning), but Artificial is clearly a more fitting follow-up. asserted
Artificial → tell → Facebook
Like The Social Network, Artificial is timely and, coincidentally, also stars Garfield, whose perfect skin and glassy eyes are deeply unsettling here. asserted
skin → star → Garfield
With a runtime of nearly two-and-a-half hours, there’s the distinct feeling that Artificial could’ve been a bit tighter and more incisive with its messaging. uncertain
Artificial → ’ → messaging
The film’s tone is a bit inconsistent, unsure of whether it wants to be a slightly camp satire or a serious warning, but Guadagnino does get his broad point across by the film’s ominous ending. asserted
Guadagnino → want → ending
💬Give feedback
🕘History 🎫Support