Slow Horses and Tenzing producer promises more underdog stories after French sale

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Maddox, G. (2026, October 25). Slow Horses and Tenzing producer promises more underdog stories after French sale. The Sydney Morning Herald. https://www.smh.com.au/business/companies/slow-horses-and-tenzing-producer-promises-more-underdog-stories-after-french-sale-20261025-p612fj.html?ref=rss&utm_medium=rss&utm_source=rss_feed

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The Sydney Morning Herald · collected 2026-10-25 · by Garry Maddox

Quick Summary

See-Saw Films, an Australian-British production company founded in 2008 by Emile Sherman and Iain Canning, has become a global powerhouse through high-quality productions of underdog stories like "The King's Speech," which won four Oscars. Despite challenges such as their time zone difference, the duo has successfully produced films and TV series including "Slow Horses" and "Tenzing." The company’s latest acquisition by French firm Gaumont promises to further expand its reach in global entertainment.
Written locally by qwen2.5:14b on 2026-10-25, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

See-Saw Films, an Australian-British production company founded in 2008 by Emile Sherman and Iain Canning, announced a partnership with Miraculous Corp, a French company under Mediawan’s umbrella, to transform the animated series Miraculous: Tales of Ladybug & Cat Noir into a live-action series. This comes after See-Saw's success with hit shows like Slow Horses, which features MI5 misfits led by Jackson Lamb, and films such as The Power of the Dog and Lion, centered around underdog stories. The company aims to continue telling compelling narratives about outsiders and has expanded its global reach despite the challenges faced in the industry.

Written for “Slow Horses And Tenzing Producer Promises More Underdog” on 2026-10-25, grounded in this article and the 0 other(s) covering the same event.
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Story

📰 Slow Horses And Tenzing Producer Promises More Underdog
Entertainment · 1 article(s) covering the same event.

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Claims extracted
52
sentences that state something as happening or true
Uncertain
0%
0 of 52 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-25 · how these are computed

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Publisher

The Sydney Morning Herald · 4920 article(s) · 12 correction(s) detected
Running correction rate · 12 correction(s)

Who wrote this

Garry Maddox
11 article(s) here · 1 carrying a prediction
🔮 Sherman says they had no idea that Slow Horses would be as successful as it has been.
🔮 Benches lying to the side during construction will be installed so visitors can take in an experience about Indigenous care for the state’s salt and freshwater ecosystems.
🔮 Her first film since returning to horror for The Murmuring, part of the Netflix miniseries Guillermo del Toro’s Cabinet of Curiosities, it will have Sophie Thatcher (Yellowjackets) playing a disfigured young woman who is hired to virtually operate a beautiful but brainless “flesh body” to sell products.
🔮 “On the one hand, we hope the storm will pass because it’s overwhelming and it can be scary at times.
🔮 Maybe he was trying to be funny but it was the truth.”
🔮 Having returned after a seven-year break to Sydney’s Centennial Park this year, the buzzy short-film festival will move to the Domain – the site of many of its most celebrated years – in February.
🔮 The ABC says they will “remain regular voices” on the station.
🔮 “Oh, that would be wonderful,” Pitt said.
🔮 The letter included “a promise that it will be filmed and photographed on real mountains”, Hiddleston says.
🔮 More than two decades on, Madden stars as an AFP officer investigating the robbery in a new Irish-Australian film, Chasing Millions, which will screen on opening night of the Irish Film Festival next month, ahead of a cinema release.
Also by Garry Maddox
Nothing else under this byline is closely related to this article, so these are simply their most recent.
All 11 articles by Garry Maddox →

Topics

Australian Indian MI5 See-Saw See-Saw Films

Subjects

Sherman PERSON · 5× Australian NORP · 3× Canning PERSON · 3× Mediawan ORG · 2× See-Saw ORG · 2× See-Saw’s ORG · 2× Edmund Hillary PERSON · 1× Jackson Lamb PERSON · 1× MI5 ORG · 1× Tenzing Norgay PERSON · 1×

Narrative

Earlier this month, See-Saw announced it is teaming up with Mediawan’s Miraculous Corp to turn the French animated superhero series Miraculous: Tales of Ladybug & Cat Noir, which screens in more than 150 countries and has expanded into a spin-off film, a stage musical, consumer products, gaming and live experiences over six seasons, into a live-action series.
framing: assertive · carried by 1 article(s) · first seen 2026-10-25
🔮 Sherman says they had no idea that Slow Horses would be as successful as it has been.
2026-10-25 · The Sydney Morning Herald
Slow Horses and Tenzing producer promises more underdog stories after French sale · assertive framing

Claims (52 extracted, 0 hedged)

Tenzing Norgay is the spiritual sherpa who makes the first ascent of Mount Everest with Edmund Hillary in the new film Tenzing. asserted
who → make → film
While it’s hard to imagine two more contrasting characters on screen, they share the same DNA. asserted
they → ’ → DNA
It’s also shared by Saroo Brierley, the Indian-Australian author who tracks down his birth mother in the hit film Lion, and Peter Gordon, the fey medical student who wants to protect his mother in the Oscar-winner The Power of the Dog. asserted
who → share → Dog
They all feature in projects made by Australian-British production company See-Saw Films. asserted
They → feature → Films
It “champions underdog stories” in high-quality productions, co-founder Emile Sherman says in his Sydney office, which was once his mother Gene Sherman’s Paddington gallery. asserted
which → champion → office
His London counterpart, Iain Canning, describes its output slightly differently. asserted
counterpart → describe → output
“We’ve gravitated to lots of stories about outsiders but, centrally, we just want to tell a story with integrity,” he says on Zoom. asserted
he → gravitate → Zoom
Either way, See-Saw has become a global film and TV powerhouse since Sherman and Canning founded it in 2008 despite what the latter calls “the hell of our time zone difference”. asserted
latter → become → difference
They met at the Cannes Film Festival when Sherman, as co-producer, was trying to finance the Heath Ledger-Abbie Cornish film Candy and Canning was working for a British sales agent. asserted
Canning → meet → agent
The King’s Speech put the two-year-old company on the entertainment map when it became a box office hit, taking $590 million around the world. asserted
it → put → world
Then it beat The Social Network and Inception to win best picture, director and two other Oscars. asserted
it → beat → picture
“We didn’t really know each other that well but we ended up making a film about an energetic Australian and a slightly reserved Englishman who hated public speaking, which is very us,” Canning says. asserted
Canning → know → speaking
The King’s Speech was a classy historical drama with standout performances by Colin Firth as the future King George IV and Geoffrey Rush as Australian speech therapist Lionel Logue but, for Sherman, there was no way of predicting its success. asserted
Speech → be → success
“We’re in the business of creating the conditions for lightning to strike and to then capture the benefits of lightning striking,” he says. asserted
he → ’re → striking
“And you never know when it’s going to strike.” asserted
it → know → ?
As cinemas became dominated by Hollywood superhero movies and streaming services increasingly needed more content, See-Saw focused on upmarket projects, initially for cinema then moving into TV and streaming. asserted
Saw → dominate → TV
Its other films have included Tracks, Widows, Operation Mincemeat, Netflix smash The Stranger and One Life. asserted
films → include → Tracks
In TV, it has had success with Top of the Lake, The New Legends of Monkey, State of the Union, Heartstopper, Sweetpea and Apple Cider Vinegar. asserted
it → have → Union
Sherman says they had no idea that Slow Horses would be as successful as it has been. asserted
it → say → idea
Season six on air and two more have been commissioned. asserted
Season → commission → air
“It sat in exactly the same category as every single other show we took on,” he says. asserted
he → sit → show
“We believed that there was something exciting there. asserted
We → believe → ?
It was a gamble because it didn’t sit in the normal bucket of the genre.” asserted
it → sit → genre
See-Saw’s output has been so impressive thatVariety called them “tastemakers” and it described as a major coup French entertainment giant Mediawan’s buy-in of a 51 per cent stake for an undisclosed sum in shares and cash last year. asserted
it → call → shares
Variety said: “It will become a significant asset under Mediawan’s umbrella, having not just amassed industry-wide admiration as one of the most successful and best-known scripted label working across both film and TV but accolades including five Oscars, 13 Emmys, five Golden Globes and 15 BAFTAs.” asserted
It → say → Oscars
It was a surprise sale given that only two years earlier, Sherman said one of the secret ingredients of See-Saw’s success had been its independence in an era of increasing industry consolidation. asserted
one → give → consolidation
“We are not owned by anyone and that is really unusual when you think of the Australian landscape.” asserted
you → own → landscape
So what’s the secret ingredient now that it’s majority owned by Mediawan? asserted
it → ’ → Mediawan
“That we’re owned by Mediawan,” Sherman deadpans. asserted
Sherman → own → Mediawan
“Iain and I … were never building the company to sell. asserted
Iain → build → company
It had been nearly 20 years and it felt like the right moment to do something different. asserted
it → feel → something
“Obviously realising some value out of it is important but we’d done quite well out of the company so it wasn’t entirely motivated by that. asserted
it → realise → that
It’s a big burden to carry every day when you are solely responsible for the company and there’s no external support. asserted
you → ’ → company
Sherman says Mediawan, which has also bought a majority shareholding in Brad Pitt’s Plan B Entertainment and teamed up with Margot Robbie’s LuckyChap Entertainment in a joint venture as part of its English-language expansion, will buy out the rest of See-Saw over multiple years. asserted
which → say → years
The company now has about 45 staff and the two founders have stepped back to be joint chief executives, leaving day-to-day business to joint managing directors Simon Gillis and Ben Irving. asserted
founders → have → directors
Describing Mediawan’s leading executives as “proper hustling producers”, Sherman says “they want to see things happen, they want to finance, they want to help with IP” since the deal. asserted
they → describe → deal
It seems to work for both parties, giving Mediawan another source of British-Australian production and influence on a pipeline of projects from a proven team. asserted
It → seem → team
It helped source international finance and co-commissioners for See-Saw’s just-finished-shooting drama series The Great White, which stars Hugo Weaving as a disgraced barrister who is drawn into the world of animal law, for the ABC and Disney+ in Britain. asserted
who → help → Britain
“It’s just opened up the scope of See-Saw,” Sherman says. asserted
Sherman → open → Saw
“It hasn’t changed what we’re looking for but sometimes you can do these deals and you find that you become corporatised and your taste becomes flattened. asserted
taste → change → deals
…and 12 more, not listed.
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