How Colleen Hoover became one of the most bankable names in Hollywood

Read the original at The Sydney Morning Herald ↗
Cite

Geraets, N. (2026, October 16). How Colleen Hoover became one of the most bankable names in Hollywood. The Sydney Morning Herald. https://www.smh.com.au/culture/movies/how-colleen-hoover-became-one-of-the-most-bankable-names-in-hollywood-20261016-p614qs.html?ref=rss&utm_medium=rss&utm_source=rss_feed

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The Sydney Morning Herald · collected 2026-10-16 · by Nell Geraets

Quick Summary

Colleen Hoover's latest film adaptation, "Verity," has topped the Australian box office since its release on October 1 and grossed over $163 million globally against a $57.3 million budget. This success follows similar outcomes for previous adaptations of her novels like "It Ends With Us" and others. Despite initial self-publication from a Texas trailer, Hoover's career exploded due to social media trends such as BookTok, where fans share positive reviews and free access during the pandemic increased visibility. She now outsells the Bible in the US and holds multiple top spots on The New York Times bestseller list, selling over 35 million copies worldwide.
Written locally by qwen2.5:14b on 2026-10-16, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

Colleen Hoover's latest film adaptation, Verity, has topped the Australian box office since its October 1 release, grossing over $163 million globally against a production budget of $57.3 million. The psychological thriller stars Anne Hathaway, Josh Hartnett, and Dakota Johnson. This success follows four other Hoover novels adapted for cinema within two years: It Ends With Us, Regretting You, Reminders of Him, and Verity. Despite her humble beginnings as a self-published author in Texas, Hoover's accessible and relatable stories have captivated audiences, making her one of the most bankable names in Hollywood today.

Written for “Colleen Hoover's Success In Hollywood” on 2026-10-16, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Colleen Hoover's Success In Hollywood
Entertainment · 1 article(s) covering the same event.

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Claims extracted
46
sentences that state something as happening or true
Uncertain
7%
3 of 46 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-16 · how these are computed

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Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 3813 article(s) · 10 correction(s) detected
Running correction rate · 10 correction(s)

Who wrote this

Nell Geraets
16 article(s) here · 1 carrying a prediction
🔮 That alone is enticing for studios, which may already consider her the Marvel of romance-dramas.
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Also by Nell Geraets
Is this film so terrible, even Tom Cruise can’t save it?
2026-10-09 · The Sydney Morning Herald
Nothing else under this byline is closely related to this article, so these are simply their most recent.
All 16 articles by Nell Geraets →

Topics

Amazon Australia Australian Texan Texas

Subjects

Hoover PERSON · 7× Baldoni PERSON · 2× Burke PERSON · 2× Hollywood GPE · 2× Anne Hathaway PERSON · 1× Australian NORP · 1× Colleen Hoover PERSON · 1× Dakota Johnson PERSON · 1× Josh Hartnett PERSON · 1× Texan NORP · 1×

Narrative

Avoiding dense plots or fantastical genre tropes, her accessible books can be easily read and reread, becoming firm favourites for a generation of readers.” Her BookTok success and growing fan base (known as “CoHorts”) inevitably caught Hollywood’s attention.
framing: assertive · carried by 1 article(s) · first seen 2026-10-16
🔮 That alone is enticing for studios, which may already consider her the Marvel of romance-dramas.
2026-10-16 · The Sydney Morning Herald
How Colleen Hoover became one of the most bankable names in Hollywood · assertive framing

Claims (46 extracted, 3 hedged)

Much is left unanswered in Verity, the latest film adaptation of a Colleen Hoover novel. asserted
Much → leave → novel
But while the story twists and turns, one thing remains clear: audiences can’t get enough of the Texan author’s tales. asserted
audiences → twist → tales
Verity has topped the Australian box office since its October 1 release. asserted
Verity → top → release
The psychological thriller, starring Anne Hathaway, Josh Hartnett and Dakota Johnson, has grossed over $163 million globally against a $57.3 million production budget. asserted
thriller → star → budget
In Australia, it breezed past other popular titles such as Heart of the Beast, starring both Brad Pitt and an incredibly cute dog, as well as Zach Cregger’s buzzy Resident Evil. asserted
it → breeze → Pitt
This isn’t the first time a pulpy Hoover adaptation has smashed the box office. asserted
adaptation → smash → office
Within two years, four of the author’s stories have been adapted for cinema: It Ends With Us, Regretting You, Reminders of Him and Verity, all of which enjoyed solid to significant box office success. asserted
all → adapt → success
At first glance, this seems perplexing. asserted
this → seem → glance
Hoover began as a self-published author, writing stories on her mother’s laptop in a Texas trailer and uploading finished titles to Amazon. asserted
Hoover → begin → Amazon
She admits she’s no literary genius, telling Elle last year she just wants to write “fun books that are easy reads”. asserted
that → admit → books
And easy reads they are, with most of her titles prioritising sugary melodrama or ridiculous plot twists. asserted
most → prioritise → melodrama
Sprinkled throughout the pulp are heavier subjects, such as domestic violence and infanticide, neither of which scream “light read” or “fun girls’ night out at the cinema”. asserted
neither → scream → cinema
And then there are the critics’ reviews, most of which range from middling to downright scathing. asserted
most → be → scathing
Yet, this self-published author has become one of Hollywood’s most bankable names. asserted
author → publish → names
Speaking to Variety in March, Hoover credits “BookTok”, the online sub-community dedicated to popular literature, with propelling her career into the stratosphere. asserted
Hoover → speak → stratosphere
Early in the pandemic, she made some of her work available online for free to increase accessibility during lockdowns. asserted
some → make → lockdowns
This, paired with her novels’ romance-heavy plots, helped them go viral on socials, where young readers discovered her work and shared doting review videos. asserted
readers → pair → videos
Associate professor Liam Burke, discipline lead for Swinburne’s cinema and screen studies, says Hoover even maintains her own TikTok account where she shares updates on publishing and film adaptations, allowing fans to develop a closer relationship with her. asserted
fans → say → her
“Such parasocial relationships are incredibly valuable for authors looking to stand out in our attention economy,” Burke says. asserted
Burke → look → economy
By 2022, Hoover’s titles outsold the Bible by more than 3 million copies in the US. asserted
titles → outsell → US
That same year, she attained six of the top 10 spots on The New York Times bestselling paperback fiction list. asserted
she → attain → list
She has so far sold over 35 million copies of her books worldwide, and one of her most recent novels, It Starts With Us, broke Simon & Schuster’s record for most pre-orders in the publication’s 100-year history. asserted
It → sell → history
“Book sales consistently show that women read much more fiction than men,” Burke says. asserted
Burke → show → men
“With well-drawn characters dealing with romance, loss and life’s many challenges, Hoover’s books have become appealing for readers looking for relatable novels that centre the female experience. asserted
that → draw → experience
Avoiding dense plots or fantastical genre tropes, her accessible books can be easily read and reread, becoming firm favourites for a generation of readers.” Her BookTok success and growing fan base (known as “CoHorts”) inevitably caught Hollywood’s attention. asserted
success → avoid → attention
It Ends With Us kicked off the Hoover adaptation craze in August 2024, telling the story of a woman who attempts to break a cycle of domestic abuse. asserted
who → end → abuse
Starring Blake Lively (Gossip Girl) and Justin Baldoni (Jane the Virgin), the film attracted massive audiences, grossing over $501 million globally. asserted
film → star → million
Its audience only grew amid Lively’s legal dispute with Baldoni, which alleged that Baldoni conspired with publicists to preemptively destroy her reputation after she privately accused him of sexually harassing her on the movie set. asserted
she → grow → set
This intrigued viewers, playing into some of the film’s themes in a rather twisted way. asserted
This → intrigue → way
The case has since been settled, but chatter lingers about the lawsuit and film itself. asserted
chatter → settle → lawsuit
Beyond real-world controversy, Hoover’s stories are also arguably made for the big screen. asserted
stories → make → screen
“When I write, I always see my books as a movie,” she told Variety earlier this year. asserted
she → write → Variety
“I love film, so I write in a way that it translates well.” asserted
it → love → way
Studios clearly agree – within one day of the announcement of her latest novel, Woman Down, Hoover received at least 30 requests from people who wished to adapt the story, sight unseen. asserted
who → agree → story
“Hoover’s books fill a void in cinemas, as they tend to focus on romance and drama genres, which have largely gone to streaming in the form of miniseries like Big Little Lies, Little Fires Everywhere, and All Her Fault,” Burke says. asserted
Burke → fill → Lies
It also helps that each of her film adaptations have starred famous faces. asserted
each → help → faces
From Lively in It Ends With Us to Dave Franco in Regretting You, Tyriq Withers in Reminders of Him and Hathaway in Verity, all Hoover films feature gorgeous A-list drawcards to spearhead marketing strategies. asserted
films → end → strategies
These actors, and the filmmakers, are then given relative freedom on-set, as Hoover famously doesn’t request completely faithful adaptations (even when she’s co-producing, such as on Reminders of Him and Verity). asserted
she → give → Him
“I have to keep readers in mind,” she told Variety. asserted
she → have → Variety
“But I love a good movie. asserted
I → love → movie
…and 6 more, not listed.
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