Much is left unanswered in Verity, the latest film adaptation of a Colleen Hoover novel.
asserted
Much → leave → novel
But while the story twists and turns, one thing remains clear: audiences can’t get enough of the Texan author’s tales.
asserted
audiences → twist → tales
Verity has topped the Australian box office since its October 1 release.
asserted
Verity → top → release
The psychological thriller, starring Anne Hathaway, Josh Hartnett and Dakota Johnson, has grossed over $163 million globally against a $57.3 million production budget.
asserted
thriller → star → budget
In Australia, it breezed past other popular titles such as Heart of the Beast, starring both Brad Pitt and an incredibly cute dog, as well as Zach Cregger’s buzzy Resident Evil.
asserted
it → breeze → Pitt
This isn’t the first time a pulpy Hoover adaptation has smashed the box office.
asserted
adaptation → smash → office
Within two years, four of the author’s stories have been adapted for cinema: It Ends With Us, Regretting You, Reminders of Him and Verity, all of which enjoyed solid to significant box office success.
asserted
all → adapt → success
At first glance, this seems perplexing.
asserted
this → seem → glance
Hoover began as a self-published author, writing stories on her mother’s laptop in a Texas trailer and uploading finished titles to Amazon.
asserted
Hoover → begin → Amazon
She admits she’s no literary genius, telling Elle last year she just wants to write “fun books that are easy reads”.
asserted
that → admit → books
And easy reads they are, with most of her titles prioritising sugary melodrama or ridiculous plot twists.
asserted
most → prioritise → melodrama
Sprinkled throughout the pulp are heavier subjects, such as domestic violence and infanticide, neither of which scream “light read” or “fun girls’ night out at the cinema”.
asserted
neither → scream → cinema
And then there are the critics’ reviews, most of which range from middling to downright scathing.
asserted
most → be → scathing
Yet, this self-published author has become one of Hollywood’s most bankable names.
asserted
author → publish → names
Speaking to Variety in March, Hoover credits “BookTok”, the online sub-community dedicated to popular literature, with propelling her career into the stratosphere.
asserted
Hoover → speak → stratosphere
Early in the pandemic, she made some of her work available online for free to increase accessibility during lockdowns.
asserted
some → make → lockdowns
This, paired with her novels’ romance-heavy plots, helped them go viral on socials, where young readers discovered her work and shared doting review videos.
asserted
readers → pair → videos
Associate professor Liam Burke, discipline lead for Swinburne’s cinema and screen studies, says Hoover even maintains her own TikTok account where she shares updates on publishing and film adaptations, allowing fans to develop a closer relationship with her.
asserted
fans → say → her
“Such parasocial relationships are incredibly valuable for authors looking to stand out in our attention economy,” Burke says.
asserted
Burke → look → economy
By 2022, Hoover’s titles outsold the Bible by more than 3 million copies in the US.
asserted
titles → outsell → US
That same year, she attained six of the top 10 spots on The New York Times bestselling paperback fiction list.
asserted
she → attain → list
She has so far sold over 35 million copies of her books worldwide, and one of her most recent novels, It Starts With Us, broke Simon & Schuster’s record for most pre-orders in the publication’s 100-year history.
asserted
It → sell → history
“Book sales consistently show that women read much more fiction than men,” Burke says.
asserted
Burke → show → men
“With well-drawn characters dealing with romance, loss and life’s many challenges, Hoover’s books have become appealing for readers looking for relatable novels that centre the female experience.
asserted
that → draw → experience
Avoiding dense plots or fantastical genre tropes, her accessible books can be easily read and reread, becoming firm favourites for a generation of readers.”
Her BookTok success and growing fan base (known as “CoHorts”) inevitably caught Hollywood’s attention.
asserted
success → avoid → attention
It Ends With Us kicked off the Hoover adaptation craze in August 2024, telling the story of a woman who attempts to break a cycle of domestic abuse.
asserted
who → end → abuse
Starring Blake Lively (Gossip Girl) and Justin Baldoni (Jane the Virgin), the film attracted massive audiences, grossing over $501 million globally.
asserted
film → star → million
Its audience only grew amid Lively’s legal dispute with Baldoni, which alleged that Baldoni conspired with publicists to preemptively destroy her reputation after she privately accused him of sexually harassing her on the movie set.
asserted
she → grow → set
This intrigued viewers, playing into some of the film’s themes in a rather twisted way.
asserted
This → intrigue → way
The case has since been settled, but chatter lingers about the lawsuit and film itself.
asserted
chatter → settle → lawsuit
Beyond real-world controversy, Hoover’s stories are also arguably made for the big screen.
asserted
stories → make → screen
“When I write, I always see my books as a movie,” she told Variety earlier this year.
asserted
she → write → Variety
“I love film, so I write in a way that it translates well.”
asserted
it → love → way
Studios clearly agree – within one day of the announcement of her latest novel, Woman Down, Hoover received at least 30 requests from people who wished to adapt the story, sight unseen.
asserted
who → agree → story
“Hoover’s books fill a void in cinemas, as they tend to focus on romance and drama genres, which have largely gone to streaming in the form of miniseries like Big Little Lies, Little Fires Everywhere, and All Her Fault,” Burke says.
asserted
Burke → fill → Lies
It also helps that each of her film adaptations have starred famous faces.
asserted
each → help → faces
From Lively in It Ends With Us to Dave Franco in Regretting You, Tyriq Withers in Reminders of Him and Hathaway in Verity, all Hoover films feature gorgeous A-list drawcards to spearhead marketing strategies.
asserted
films → end → strategies
These actors, and the filmmakers, are then given relative freedom on-set, as Hoover famously doesn’t request completely faithful adaptations (even when she’s co-producing, such as on Reminders of Him and Verity).
asserted
she → give → Him
“I have to keep readers in mind,” she told Variety.
asserted
she → have → Variety
“But I love a good movie.
asserted
I → love → movie
…and 6 more, not listed.