‘La Bola Negra’ review: Spanish gay drama is one of the best movies of the year

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Oleksinski, J. (2026, October 15). ‘La Bola Negra’ review: Spanish gay drama is one of the best movies of the year. New York Post. https://nypost.com/2026/10/15/entertainment/la-bola-negra-review-spanish-gay-drama-is-one-of-the-best-movies-of-the-year/

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New York Post · collected 2026-10-15 · by Johnny Oleksinski

Quick Summary

The article reviews "La Bola Negra," a Spanish gay drama film that has won several awards including the People’s Choice Award at the Toronto International Film Festival. Directed by Javier Calvo and Javier Ambrossi, known as "Los Javis," the movie spans different periods—1932, 1937 during the Spanish Civil War, and 2017—and intertwines these timelines through a complex narrative involving a sensitive trumpet player named Sebastián who falls in love with an injured prisoner from the opposing faction. The film is praised for its visual splendor and emotional depth despite a modest budget.
Written locally by qwen2.5:14b on 2026-10-15, using this article's own text rather than the other coverage of the same event (that is the story summary below).

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Story summary

"La Bola Negra," a Spanish gay drama set during World War II, has won significant acclaim at film festivals. It received the People's Choice Award at the Toronto International Film Festival and the top prize at the Hamptons International Film Festival in 2026. Directed by Javier Calvo and Javier Ambrossi (known as "Los Javis"), the movie is praised for its visual beauty despite a modest budget of around $15 million. The film, running at 159 minutes with an R rating due to violent scenes, nudity, and sexual content, will debut in theaters and later on Netflix on December 2, 2026. Critics argue that it should be embraced enthusiastically for its deep emotional impact and unique storytelling approach rather than dismissed based on initial impressions.

Written for “La Bola Negra Review” on 2026-10-15, grounded in this article and the 0 other(s) covering the same event.

Story

📰 La Bola Negra Review
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

This article reads unscored and hedges 0% of its claims. Each row says how that neighbour differs.
The Sydney Morning Herald
⚖️ Leans left 🔴 2% hedged 1 of 47 📰 publisher trust 61
“Article A discusses the potential Oscar success of a Spanish film, while Article B provides a review and context about the film's release details.”
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
31
sentences that state something as happening or true
Uncertain
0%
0 of 31 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
67/100
New York Post's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-15 · how these are computed

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Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

New York Post · 10648 article(s) · 30 correction(s) detected
Running correction rate · 30 correction(s)

Who wrote this

Johnny Oleksinski
8 article(s) here · 1 carrying a prediction
🔮 Some will be frustrated that the relationship between the trio of threads is not immediately made clear.
🔮 “You watch in excruciating weariness as it disappears up its own ass and then realize to your dismay that there’s another eardrum-shattering hour left to endure,” wrote King Ghidorah, excuse me, David.
🔮 And maybe a little too willing to help with the cause is the U.S. Military.
🔮 In that respect, director Haysam Kadri’s “Othello” couldn’t have been further apart from the sleep-aid, wallet-robbing Broadway revival a couple seasons back starring Denzel Washington and Jake Gyllenhaal, which had the stiff posture of a long history play.
🔮 My colleagues in the media absolutely hate that, and love to complain how the plebs in the audience openly laugh and cry at movies instead of sitting in stoic judgmental silence like my pretentious scold friends do. But what’s useful about TIFF is that it gives us some idea of how real human beings will react to awards contenders later on.
🔮 Bryan is a courier who will often bring organs for transplant to hospitals.
🔮 Sick, weak and in agonizing pain, Charleson willed his failing body to rehearse and take on the titanic part — the most mentally and physically taxing in the entire Western theatrical canon — because that phrase rang out in his own head: “Remember me.”
🔮 Many people will strongly agree with that point of view, albeit in less grandiose terms.
Also by Johnny Oleksinski
Nothing else under this byline is closely related to this article, so these are simply their most recent.
All 8 articles by Johnny Oleksinski →

Topics

Netflix Spanish World War II the Hamptons International Film Festival the Toronto International Film Festival

Subjects

Sebastián PERSON · 3× Rafael PERSON · 2× Crane PERSON · 1× Italians NORP · 1× Javier Ambrossi PERSON · 1× Javier Calvo PERSON · 1× Los Javis PERSON · 1× Netflix ORG · 1× Spain GPE · 1× Spanish NORP · 1×

Narrative

But the sprawling and deeply moving Spanish film “La Bola Negra,” which recently won the all-important People’s Choice Award at the Toronto International Film Festival and the top prize at the Hamptons International Film Festival, should be enthusiastically embraced, not coldly shoved aside.
framing: assertive · carried by 1 article(s) · first seen 2026-10-15
🔮 Some will be frustrated that the relationship between the trio of threads is not immediately made clear.

Claims (31 extracted, 0 hedged)

As in: White ball means yes; Blackball means no. asserted
Blackball → mean → no
“Blackball!”, the Crane brothers gleefully yelled to veto each other’s choices as they put together a dinner party guest list. asserted
they → yell → list
But the sprawling and deeply moving Spanish film “La Bola Negra,” which recently won the all-important People’s Choice Award at the Toronto International Film Festival and the top prize at the Hamptons International Film Festival, should be enthusiastically embraced, not coldly shoved aside. asserted
which → sprawl → Festival
A profound World War II-era gay drama — though not at all what you’d expect from that brief description — it’s one of the best movies of the year. asserted
it → expect → year
Directed by Javier Calvo and Javier Ambrossi, collaborators who go by the fun nickname “Los Javis,” the modestly budgeted film is reminiscent of “The Brutalist” in how it achieves surprising and tactile period visual majesty with pennies. asserted
it → direct → pennies
Fifteen-million-dollar “La Bola” looks a lot better than films that were 20 times more costly to make. asserted
that → look → films
It’s hard to shake the haunting image of dust-covered man scaling the rubble of a pile of museum statues, or celebratory fireworks on a beach as a young fighter’s conscience is privately tortured. asserted
conscience → ’ → beach
There’s a surreal snow-covered mountain straight out of Narnia and a paralyzing scene involving a hand and torso that’s as tragically romantic as it gets. asserted
it → ’ → hand
A detailed puzzle, “La Bola” bounces back and forth between different years: 1932, 1937 during the Spanish Civil War and then a giant leap to 2017. asserted
puzzle → bounce → 2017
Some will be frustrated that the relationship between the trio of threads is not immediately made clear. asserted
relationship → frustrate → threads
There is tremendous satisfaction in the “a-ha!” moment when we finally understand what binds a villager with big-city dreams in ‘32 to a trembling soldier in ‘37 and a young man looking for answers in the 2010s. asserted
what → be → 2010s
The emotional center of “La Bola” is, appropriately, smack dab in the middle: Sebastián (Guitarricadelafuente), a sensitive trumpet player whose town in Spain is bombed by the Italians in 1937 right as they were happily heralding their arrival with music and a party. asserted
they → bomb → music
His mother is killed in the supposedly accidental blast, and he’s forced to join up with the Franco’s Nationalists. asserted
he → kill → Nationalists
Guarding the infirmary, quiet Sebastián becomes infatuated with an injured prisoner from the rival Republican faction. asserted
Sebastián → guard → faction
He doesn’t know his name — it’s Rafael (the striking and serene Miguel Bernardeau) — and they rarely speak. asserted
they → know → name
At first hesitant and confrontational, their tie deepens and intensifies. asserted
tie → deepen → ?
In the most basic sense, this is a “Romeo and Juliet” story with two lovers caught between oppositional warring “houses.” asserted
this → catch → houses
But what gives Sebastián and Rafael so much power is that precious little is openly expressed between them. asserted
little → give → them
Individually and together, they’re coming to terms with who they are. asserted
they → come → terms
Revelatory Guitarricadelafuente, a wonderful singer making his acting debut, is heartbreaking as the runt of his division. asserted
Guitarricadelafuente → make → division
Smartly, he also sings the film’s sublime signature song, “La Nieve.” asserted
he → sing → song
The actor is a special find who will no doubt have a hot Hollywood career after this. asserted
who → have → this
Skipping ahead to 2017, the estranged grandfather of Alberto (Carlos González) has just died and left him a mysterious inheritance. asserted
grandfather → skip → inheritance
What’s in it, a manuscript, leads him on an emotional and revealing investigation into his family’s unknown past. asserted
’s → ’ → past
The 1932 portion is the most ethereal and uncanny of the three: A local man (Milo Quifes) tries to gain membership in his village’s exclusive men’s club, only he’s “blackballed” because of scandalous rumors going around town. asserted
he → try → town
All of this seems random and disparate, but in the end the ingredients potently emulsify. asserted
ingredients → seem → end
Penelope Cruz and Glenn Close make small but meaningful appearances as, respectively, a forward-thinking cabaret singer during the war named Nene and Isabelle, a scholar of the writer Federico Garcia Lorca in 2017. asserted
Cruz → make → 2017
Lorca, the Spanish gay writer of “Yerma” and “The House of Bernarda Alba” who was killed by the Nationalists in 1936, is a major force in the movie. asserted
who → kill → movie
He actually wrote a play called “La Bola Negra” in 1936 that was left unfinished because of his murder. asserted
that → write → murder
The rare drama of the day to feature a gay character, Lorca only was able to complete four pages. asserted
Lorca → feature → pages
With their gorgeous movie, Los Javis, as ambitious as they are empathetic, let Lorca’s partial piece live on and graciously expound on it, while building bridges between generations of struggle. asserted
piece → let → struggle
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