The new generation of London artists to know

Read the original at Evening Standard ↗
Cite

Robinson, M., & Mussen, M. (2026, October 15). The new generation of London artists to know. Evening Standard. https://www.standard.co.uk/culture/new-london-artists-frieze-b1300938.html

Dated from the outlet's own feed. Check the original for its byline.

Evening Standard · collected 2026-10-15 · by Martin Robinson, Maddy Mussen

Quick Summary

The article highlights emerging London artists who are gaining recognition among top collectors. Corbin Shaw, 28, works with traditional crafts to explore modern British identity, aiming for a broad artistic expression beyond genre constraints. Tom Hardwick Allan, 30, uses expanded printmaking techniques to question societal imprinting and the impact of urban life on creativity. Okiki Akinfe, 27, combines traditional painting styles with contemporary elements to examine black Britishness, encouraging viewers to delve deeper into cultural references. Ella Fleck, 33, creates sensory installations based on undercover work in online sexual communities, aiming to replicate and analyze the atmosphere of these environments.
Written locally by qwen2.5:14b on 2026-10-15, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

The new generation of London artists is gaining traction among top collectors, with figures like Corbin Shaw, 28, and Tom Hardwick Allan, 30, at the forefront. Both hail from East London and are breaking away from traditional art forms to create multidisciplinary works that blend cultural references and personal experiences. Shaw focuses on traditional crafts to interpret modern life in England, aiming for an immersive exhibition experience akin to visiting the British Museum. Hardwick Allan, with a background in printmaking, now explores sculptural territory, delving into themes like imprinting through carved and cast reliefs. Both artists seek to challenge perceptions of British identity and artistic categorization.

Written for “London Art Scene Rising Stars” on 2026-10-15, grounded in this article and the 0 other(s) covering the same event.

Story

📰 London Art Scene Rising Stars
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

Nothing to compare against. No article is close enough to this one for the pipeline to have linked or judged the pair.
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
166
sentences that state something as happening or true
Uncertain
1%
2 of 166 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
67/100
Evening Standard's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-15 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

Evening Standard · 5334 article(s) · 45 correction(s) detected
Running correction rate · 45 correction(s)

Who wrote this

Martin Robinson
48 article(s) here · 1 carrying a prediction
🔮 In contrast to that, I have what may be considered a sophisticated way of handling painting.
2026-10-15 · assertive framing · The new generation of London artists to know
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Also by Martin Robinson
Nothing else under this byline is closely related to this article, so these are simply their most recent.
All 48 articles by Martin Robinson →
Maddy Mussen
5 article(s) here · 1 carrying a prediction
🔮 In contrast to that, I have what may be considered a sophisticated way of handling painting.
2026-10-15 · assertive framing · The new generation of London artists to know
🔮 When Tony Blair declared that he wanted Britain to be “a young country again” during his 1995 Labour Party conference speech, he had no idea that his words would eventually be cut, stitched and repurposed for a TikTok — complete with lo-fi Arial subtitles and Be My Baby by The Ronettes as the backing music — nearly 30 years later.
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2026-10-08 · assertive framing · Is this the final reincarnation of Jamie T?
🔮 They spotted a role they felt Porcaroli would be well suited for, then encouraged her to audition.
🔮 “I used to joke when I was in my first relationship that I would either be with that person forever, or I’d go and write an album about it,” he laughs.
Also by Maddy Mussen
Is this the final reincarnation of Jamie T?
2026-10-08 · Evening Standard
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

East London England English London the British Museum

Subjects

London GPE · 10× East London GPE · 2× Corbin Shaw PERSON · 1× Ella Fleck PERSON · 1× England GPE · 1× English NORP · 1× Holloway GPE · 1× Okiki Akinfe PERSON · 1× Tom Hardwick Allan PERSON · 1× the British Museum ORG · 1×

Narrative

I use a lot of pop iconography and cultural references — things associated with celebrity, glamour, tackiness, trashiness, things that are deemed to be lowbrow, and I collage them together using found objects.
framing: assertive · carried by 1 article(s) · first seen 2026-10-15
🔮 In contrast to that, I have what may be considered a sophisticated way of handling painting.
2026-10-15 · Evening Standard
The new generation of London artists to know · assertive framing

Claims (166 extracted, 2 hedged)

The new generation of London artists to know The new generation of artists in London is attracting the attention of the capital’s top collectors. asserted
generation → know → collectors
This is the talent you need to know Corbin Shaw, 28, East London I work in traditional crafts, trying to make sense of the modern experience of living in this strange England that we’re in today. asserted
we → need → that
On the London art scene: I think a lot of artists in London get pigeonholed. asserted
lot → think → London
You’re either a painter or a sculptor or all these rigid things. asserted
You → ’re → ?
My brain can’t work like that. asserted
brain → work → that
I want to be an artist where you go to a show and it feels like the British Museum. asserted
it → want → Museum
I don’t want to be summed up. asserted
I → want → ?
What do you hope people get from your work? asserted
people → hope → work
Funnily enough, somebody said to me recently, “I feel a real strange sense of national pride that I think you put a finger on quite well.” asserted
you → say → finger
I’m proud to be English, but it’s a complicated relationship. asserted
it → ’m → ?
I want to help people try to understand that relationship. asserted
people → want → relationship
Tom Hardwick Allan, 30, East London I have a background in printmaking, but what I’m doing now is more like expanded printmaking, moving into sculptural territory with carved and cast reliefs. asserted
doing → do → reliefs
I’m using it on an analogous level to explore the phenomenon of imprinting, which is when a newly born or hatched animal comes to know itself. asserted
animal → use → itself
On the London art scene: The way that the capital dictates things can be so deadening — this privatisation of time and space. asserted
capital → dictate → time
I think there are a lot of amazing things that are surviving despite that, but it’s despite, rather than because. asserted
it → think → that
What do you hope people get from your work? asserted
people → hope → work
I hope they’re able to have an encounter with the work that prompts a recalibration. asserted
that → hope → recalibration
I feel like my best experiences with work reset me on some level. asserted
experiences → feel → level
Okiki Akinfe, 27, London I have my own lens, a black lens, which is my way of questioning what is allowed to be deemed important within our history. asserted
what → question → history
In contrast to that, I have what may be considered a sophisticated way of handling painting. uncertain
what → have → painting
It’s traditionalist, and I contrast that with cartoon imagery or hip hop references, contemporary elements. asserted
I → ’ → imagery
On the London art scene: I think the need to be specifically a figurative or abstract painter doesn’t really exist anymore. asserted
need → think → scene
It’s very much moving in the direction of a personal story from the artist. asserted
It → move → artist
I’m specifically interested in the topic of black Britishness. asserted
I → ’m → Britishness
What do you hope people get from your work? asserted
people → hope → work
I hope it opens people’s minds and encourages them to think about these references. asserted
it → hope → references
I want people to go down the rabbit hole with me. asserted
people → want → me
Ella Fleck, 33, Holloway I work undercover a lot, pretending to be men online in sexual or seduction communities. asserted
I → work → communities
For Frieze, I took a course for men training to be “chatters”, speaking on behalf of female OnlyFans creators. asserted
I → take → creators
My alias was Elliot and I tried to make friends and observe the interactions. asserted
I → try → interactions
From there, I make sensory installations, using sound and scent and vibration, trying to replicate the atmosphere of being in that experience. asserted
I → make → experience
On the London art scene: I think it’s really exciting, there are so many different practices, strange hybrids of performance or sculpture. asserted
it → think → performance
What do you hope people get from your work? asserted
people → hope → work
I don’t want to be too didactic. asserted
I → want → ?
I just lay it out and hope they get from it what they want. asserted
they → lay → what
Marcus Jefferson, mid-thirties, London I’m an anonymous artist, but I like to keep my work domestic. asserted
I → ’m → work
As much as people put me down as a conceptual artist, I want my work to be accessible. asserted
work → put → artist
I always try to make work that can get people who have come from similar places to me — low income, social housing — more interested in the galleries. asserted
who → try → galleries
That’s always at the forefront of my mind. asserted
That → ’ → mind
On the London art scene: It’s wild. asserted
It → ’ → scene
…and 126 more, not listed.
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