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The pain of watching my favourite film flop find mainstream success

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Cite

Quick, S. (2026, September 16). The pain of watching my favourite film flop find mainstream success. The Sydney Morning Herald. https://www.smh.com.au/culture/movies/the-pain-of-watching-my-favourite-film-flop-find-mainstream-success-20260911-p60wp1.html?ref=rss&utm_medium=rss&utm_source=rss_feed

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

The Sydney Morning Herald · collected 2026-09-16 · by Sophie Quick

Quick Summary

A long-time fan expresses confusion and discomfort over the recent resurgence of interest in "Grease 2," a film that was originally a critical and box-office failure but has become beloved by its dedicated fans like the author. The article details personal memories and nostalgic feelings towards specific elements of the movie, such as songs, hairstyles, and dialogue, while acknowledging the film’s controversial content. Despite the newfound mainstream attention, the author remains protective of their cherished memories and reluctant to engage with broader fandom discussions around it.
Written by AI on 2026-09-17, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

Sophie Quick, a long-time fan of Grease 2, reflects on her surprise at the film's critical and box-office failure despite its significant impact on her as a tween. Released in 1982 and starring Michelle Pfeiffer, Grease 2 was a personal favorite that Quick watched repeatedly throughout the 1990s. Despite its initial flop status, the movie has recently seen a revival of interest through platforms like TikTok and YouTube, confusing Quick given her positive memories of it. The film's standout elements for Quick include songs such as "Cool Rider" and "Who’s that Guy?", memorable stunts involving motorcycle jumps, hairstyles, and extras. Quick also favors Grease 2 over the original due to its great outfits, songs, acting performances, and dialogue.

Written for “Film Flop Becomes Success” on 2026-11-02, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Film Flop Becomes Success
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

Nothing to compare against. No article is close enough to this one for the pipeline to have linked or judged the pair.
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
42
sentences that state something as happening or true
Uncertain
5%
2 of 42 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-09-17 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 5842 article(s) · 15 correction(s) detected
Running correction rate · 15 correction(s)

Who wrote this

Sophie Quick
2 article(s) here · 1 carrying a prediction
🔮 I couldn’t agree less.
🔮 The film was not just a critical and box-office flop, it was a notorious critical and box-office flop, though I didn’t know this when I first watched it as a tween and I certainly would never have guessed it.
Also by Sophie Quick
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

Entertainment Weekly New York Times T-Bird TikTok YouTube

Subjects

Pfeiffer PERSON · 2× Adrian Zmed PERSON · 1× Entertainment Weekly ORG · 1× Grease PERSON · 1× Johnny Nogerelli PERSON · 1× Michael Carrington PERSON · 1× Michelle Pfeiffer PERSON · 1× Stephanie PERSON · 1× TikTok ORG · 1× YouTube ORG · 1×

Narrative

Not only do I have favourite Grease 2 songs (Cool Rider and Who’s that Guy?) and favourite stunts (such as when the mild-mannered Michael Carrington jumps the police car on his motorcycle outside the Bowl-A-Rama), but I also have favourite hairstyles (Stephanie’s hibiscus-braid in the finale) and favourite extras (the squeaky-clean twins).
framing: assertive · carried by 1 article(s) · first seen 2026-09-17
🔮 The film was not just a critical and box-office flop, it was a notorious critical and box-office flop, though I didn’t know this when I first watched it as a tween and I certainly would never have guessed it.
2026-09-17 · The Sydney Morning Herald
The pain of watching my favourite film flop find mainstream success · assertive framing

Claims (42 extracted, 2 hedged)

The film was not just a critical and box-office flop, it was a notorious critical and box-office flop, though I didn’t know this when I first watched it as a tween and I certainly would never have guessed it. asserted
I → know → it
It cast a spell on me. asserted
It → cast → me
Made in 1982 and starring a young Michelle Pfeiffer, it’s a film I watched about a thousand times throughout the ’90s. asserted
I → make → 90s
Not only do I have favourite Grease 2 songs (Cool Rider and Who’s that Guy?) and favourite stunts (such as when the mild-mannered Michael Carrington jumps the police car on his motorcycle outside the Bowl-A-Rama), but I also have favourite hairstyles (Stephanie’s hibiscus-braid in the finale) and favourite extras (the squeaky-clean twins). asserted
I → have → finale
I’ve always liked Grease 2 better than the 1978 original. asserted
I → like → original
(“Are you free tonight?” “I’m free every night. asserted
I → ’m → ?
It’s in the constitution.”) asserted
It → ’ → constitution
Like the first Grease movie, the sequel delivers a brutal message about social survival and natural selection: if your crush doesn’t like you, then change everything about your image and personality until they do. asserted
they → deliver → image
And like the original, the film exploits moral panic around teenage sexuality, though Grease 2 cranks it up a few notches. asserted
Grease → exploit → it
There are scenes that are not for the squeamish. asserted
that → be → squeamish
The raunchy classroom number Reproduction – where a biology lesson turns to chaos – is the obvious example. asserted
lesson → turn → chaos
But I’d say the first 15 seconds of the musical number Score Tonight, set in a bowling alley, are among the most obscene in the history of cinema, purely on the strength of dance moves, chest hair and eyebrow activity. asserted
I → say → moves
(Adrian Zmed, as lead T-Bird Johnny Nogerelli, was perhaps anxious that the song’s double-entendre might escape some young viewers. uncertain
entendre → escape → viewers
He took matters into his own pelvis, delivering a lusty performance that is frankly terrifying.) asserted
that → take → performance
Perhaps another reason I loved it was because I didn’t have to share it with too many other people. asserted
I → love → people
Hardly anybody had seen the sequel, so they didn’t know what they were missing. asserted
they → see → what
Growing older, I was aware that the film had attained cult status (how could it not?), but I chose not to engage with the fandom. uncertain
I → grow → fandom
I watched my favourite Grease 2 songs on YouTube in mesmerised solitude. asserted
I → watch → solitude
I never read the comments. asserted
I → read → comments
I didn’t want my sacred memories polluted. asserted
memories → want → ?
Entertainment Weekly produced a definitive Grease 2 oral history in 2023. asserted
Weekly → produce → 2023
But instead of embracing this enthusiasm, I’m troubled by it. asserted
I → embrace → it
I want to protect this precious artefact of my childhood. asserted
I → want → childhood
I want to save the film from dissection and discourse. asserted
I → want → dissection
I know the Do It For Our Country scene is incredibly messed up. asserted
scene → know → Country
I know it’s a teen movie with too many receding hairlines. asserted
it → know → hairlines
I know Grease 2 flips gender norms. asserted
Grease → know → norms
I know Pfeiffer’s gum-acting is outstanding. asserted
acting → know → ?
I know, I know, I know. asserted
I → know → ?
I don’t want to talk about it and I don’t want anybody else to talk about it either. asserted
anybody → want → it
It’s like I’m an archivist who has held a delicate ancient document in a climate-controlled environment for decades. asserted
who → ’ → decades
And now hordes are raiding the facility, exposing this precious article to harmful sunlight, pawing at it with their filthy fingers. asserted
hordes → raid → fingers
I’m like Zmed’s pathetically possessive Nogerelli. asserted
I → ’m → Nogerelli
My head says Grease 2 deserves its greasy flowers, but my heart seeks to trap it inside its own throbbing chambers. asserted
heart → say → chambers
It’s not right – this pathetic jealousy, this Nogerellification of the soul – and I’m working through it slowly. asserted
I → ’ → it
For now, I won’t be attending any free summer screenings or liking any Cool Rider step-ladder tributes on TikTok. asserted
I → attend → TikTok
I’m not ready to encourage it. asserted
I → ’m → it
But the film’s cult status is now firmly cemented. asserted
status → cement → ?
Like the students of Rydell High, I must adapt to survive. asserted
I → adapt → High
I do hope that one day soon, I’ll be able to look upon the Grease 2 revival with an open heart. asserted
I → hope → heart
…and 2 more, not listed.
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