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Studios destroyed, traditions saved: Artists fight to save Sudan’s culture

Read the original at Al Jazeera ↗
Cite

Edam, F. (2026, October 31). Studios destroyed, traditions saved: Artists fight to save Sudan’s culture. Al Jazeera. https://www.aljazeera.com/features/2026/10/31/studios-destroyed-traditions-saved-artists-fight-to-save-sudans-culture?traffic_source=rss

Dated from the outlet's own feed. Check the original for its byline.

Al Jazeera · collected 2026-10-31 · by Fatima Edam

Quick Summary

Awad Haroun, a visual artist and theatre director from Khartoum North, fled his home after war broke out between the Sudanese Armed Forces (SAF) and Rapid Support Forces (RSF) in April 2023. He resettled in Port Sudan with minimal belongings and has since participated in cultural events like the Wasel Festival to preserve Sudan’s artistic traditions. Despite losing his workspace and tools, Haroun continues to lead workshops and promote community engagement through art. UNESCO estimated in June 2026 that Sudan's cultural sector faces a $30 million funding gap due to war damage and displacement. In April 2024, the Artists and Writers Union in Port Sudan provided shelter for over 112 displaced artists.
Written by AI on 2026-10-31, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

Awad Haroun, a 45-year-old visual artist and theatre director from Khartoum North, fled his home in April 2023 due to the war between the Sudanese Armed Forces (SAF) and Rapid Support Forces (RSF) paramilitary. He moved with his wife and son to Port Sudan, leaving behind his artistic workspace and tools. Haroun carried only a few personal items when he evacuated, including two shirts, two pairs of trousers, and some drawing papers, expecting a quick return. However, the conflict forced him to rebuild his life far from home in Port Sudan, where he has participated in theatrical performances at the Wasel Festival organized by the Ahalina Cultural Group. Despite the loss of his personal belongings and workspace, Haroun is committed to using his skills in sculpture, design, and decoration to support himself and continue contributing to Sudan’s cultural scene.

Written for “Sudan's Art Traditions Under Threat” on 2026-11-01, grounded in this article and the 0 other(s) covering the same event.
Why this leaning score
This article does not take a side on a contested political question, so it has no leaning score. That is an answer rather than a gap: a match report or a rescue can be warmly or critically written without being left or right, and scoring it anyway is how approval of a subject gets recorded as a political position.
No political leaning scored for article 119598 · logged 2026-10-31

Story

📰 Sudan's Art Traditions Under Threat
World · 1 article(s) covering the same event.

Compared with similar articles

This article reads unscored and hedges 0% of its claims. Each row says how that neighbour differs.
Al Jazeera
Hedges 3 of 53 claims Outlet record 60/100
“The articles discuss different aspects and time periods related to the conflict in Sudan but clearly describe separate incidents.”
Al Jazeera
⚖️ Leans left Hedges 6 of 54 claims Outlet record 60/100
“The articles discuss different aspects of life in Sudan, with Article A focusing on economic struggles due to war and inflation in Khartoum, while Article B focuses on artists fleeing from the capital to Port Sudan after their studios were destroyed.”
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
39
sentences that state something as happening or true
Uncertain
0%
0 of 39 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
60/100
Al Jazeera's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
World
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-31 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

Al Jazeera · 4553 article(s) · 2 correction(s) detected
Running correction rate · 2 correction(s)

Who wrote this

Fatima Edam
4 article(s) here · 1 carrying a prediction
🔮 “Now, concerns about the possibility of eviction have left us uncertain about where we will go next,” he said.
🔮 He says the long hours spent queueing for petrol is time he could spend earning money to support his family.
🔮 Unable to find work in a city that she was unfamiliar with, she began offering nail services from home, charging the equivalent of about $10 to $15, and saving what she could to help her family.
🔮 Aisha pours another cup of tea at her makeshift outdoor stand, hoping the day’s sales will help keep her family afloat.
Also by Fatima Edam
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

Ahalina Cultural Group Awad Port Sudan Sudan UNESCO

Subjects

Port Sudan GPE · 8× Sudan GPE · 6× Awad PERSON · 5× UNESCO ORG · 5× Ahalina Cultural Group ORG · 2× El Obeid GPE · 2× Al-Halfaya GPE · 1× Awad Haroun PERSON · 1× Khartoum North GPE · 1× Sudanese Armed Forces ORG · 1×

Narrative

Recommended Stories list of 3 items- list 1 of 3Port Sudan families can barely afford water as shortages persist - list 2 of 3Ebola death toll in DR Congo passes 5,000 - list 3 of 3RSF senior commander defects, accusing Sudan group’s leadership of nepotism When he fled, he carried little: Two shirts, two pairs of trousers, two books and a few torn drawing papers, expecting to return soon.
framing: assertive · carried by 1 article(s) · first seen 2026-10-31
🔮 “Now, concerns about the possibility of eviction have left us uncertain about where we will go next,” he said.

Claims (39 extracted, 0 hedged)

Awad Haroun, 45, a visual artist and theatre director, fled his home in Al-Halfaya, Khartoum North, after war destroyed a life he had worked hard to build in the capital. asserted
he → flee → capital
He moved to Port Sudan with his wife and son, leaving behind his home, artistic workspace and the tools he needed to work, shortly after fighting erupted between the Sudanese Armed Forces (SAF) and Rapid Support Forces (RSF) paramilitary in April 2023. asserted
fighting → move → April
Recommended Stories list of 3 items- list 1 of 3Port Sudan families can barely afford water as shortages persist - list 2 of 3Ebola death toll in DR Congo passes 5,000 - list 3 of 3RSF senior commander defects, accusing Sudan group’s leadership of nepotism When he fled, he carried little: Two shirts, two pairs of trousers, two books and a few torn drawing papers, expecting to return soon. asserted
he → afford → trousers
Instead, he has been forced to rebuild his life far from home. asserted
he → force → home
He lost not only his home but also the tools and materials he relied on to work and make a living. asserted
he → lose → living
In Port Sudan, he looked to use his skills in sculpture, design and decoration for some money. asserted
he → look → money
He has since participated in theatrical performances at Wasel Festival, organised by Ahalina Cultural Group in partnership with UNESCO, and led traditional arts workshops with cultural groups. asserted
He → participate → groups
Awad founded Ahalina cultural group in 2013 with a group of young people, using theatre, visual arts, music and puppetry to engage with young people and promote peace and social cohesion. asserted
Awad → found → peace
Drawing, storytelling, music and play have also given children opportunities to express themselves and connect with others. asserted
Drawing → give → others
“Losing my tools does not mean I have lost my skills, and losing my workspace does not mean I have lost my ability to create,” Awad told Al Jazeera. asserted
Awad → lose → Jazeera
Awad and other displaced artists found shelter at an old school in Port Sudan, where they helped clean and prepare the building for families forced from their homes. asserted
they → displace → homes
“Now, concerns about the possibility of eviction have left us uncertain about where we will go next,” he said. asserted
he → leave → us
While art cannot replace a lost home or end the war, Awad believes it can preserve memories, bring communities together and offer children space to play and express themselves. asserted
it → replace → themselves
“From the ashes, we will rise” is the motto of Ahalina cultural group. asserted
we → rise → group
This is more than a slogan for Awad; it is a reminder to keep creating, despite everything the war has taken from him. asserted
war → keep → him
The war has taken a heavy toll on Sudan’s cultural life, damaging heritage sites and disrupting the livelihoods of artists across the country. asserted
war → take → country
In June 2026, UNESCO estimated that Sudan’s cultural sector faced a $30m funding gap. asserted
sector → estimate → gap
But behind this figure are deeply personal losses: Artists killed by the war or forced to leave behind studios, galleries, artworks and the tools they need to create. asserted
they → kill → studios
In April 2024, UNESCO reported that the Artists and Writers Union in Port Sudan had provided shelter to more than 112 displaced artists and other cultural professionals. asserted
Union → report → artists
The challenges remain significant, but cultural initiatives have continued. asserted
initiatives → remain → ?
In April 2026, UNESCO said its initiatives in Port Sudan had benefitted more than 350 artists, women, girls and internally displaced cultural professionals, supporting efforts to sustain Sudan’s cultural life amid the conflict. asserted
initiatives → say → conflict
Asim Abdelaziz, 31, a musician and filmmaker, left El Obeid, the capital of North Kordofan state, amid escalating fighting and repeated drone attacks. asserted
Abdelaziz → leave → fighting
He arrived in Port Sudan in November 2023, hoping to find safety and work. asserted
He → arrive → safety
Separated from his family, who are scattered between Omdurman and El Obeid, Asim lives alone in a shelter for displaced artists. asserted
Asim → separate → artists
The war has uprooted his life and disrupted his career, but he continues to use music to preserve Sudan’s cultural heritage and bring communities together. asserted
he → uproot → communities
In Port Sudan, he has worked with the local Artists and Writers Union, UNESCO and community organisations. asserted
he → work → Union
He has also collaborated with the Ministry of Culture and Information and other artists on music programmes to address social issues, including hate speech and racism. asserted
He → collaborate → speech
Asim said the war has spurred hate speech and deepened divisions between Sudan’s different communities. asserted
war → say → communities
He believes art can counter these differences by promoting diversity, mutual acceptance and peaceful coexistence. asserted
art → believe → diversity
“I have seen firsthand how hate speech affects people’s lives,” Asim told Al Jazeera. asserted
Asim → see → Jazeera
“Through music, I try to remind Sudanese people that we are all brothers and sisters, and that war does not represent who we are.” asserted
we → try → people
Mokhalaya, a project he founded to document and archive traditional music and rhythms from across the country a year ago, is one avenue for this. asserted
he → found → this
“I hope to take the project to international festivals, introducing audiences abroad to [showcase] Sudan’s rich musical traditions and cultural diversity,” he said. asserted
he → hope → traditions
Preserving heritage is not just about safeguarding the past, but also about keeping Sudan’s cultural identity alive during a war that has displaced communities and disrupted lives, he said. asserted
he → preserve → lives
Abdelqader Hashem, secretary of the Red Sea State Writers and Artists Union, told Al Jazeera the union has supported artists and their families who fled fighting in other parts of Sudan since the war began on April 15, 2023. asserted
war → tell → April
“We worked to establish a shelter for displaced artists in a school in Port Sudan and sought support from local and international organisations to provide for their basic needs,” he said. asserted
he → work → needs
Beyond providing shelter, the union has helped displaced artists take part in the city’s cultural activities, contributing to community awareness programmes that address important societal issues such as the dangers of drug use, a growing concern in Sudan. asserted
that → provide → Sudan
“We have also implemented projects in partnership with UNESCO to train children in displacement camps in handicrafts, including concrete crafts,” Hashem said. asserted
Hashem → implement → crafts
“Most of the displaced artists have since returned to their homes in Khartoum following the Sudanese army’s recapture of the capital.” asserted
Most → displace → capital
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