Long before an actual X-Men movie was in production, fans were convinced that the best, perhaps only, choice for a live-action Charles Xavier, the telepathic mutant leader also known as Professor X, was Patrick Stewart.
asserted
choice → convince → X
Granted, this was informed in large part by the usual fanboy literalism.
asserted
this → grant → literalism
Maybe he should play the great bald character!”
asserted
he → play → character
But, you have to hand to them: They were right.
asserted
They → have → them
Patrick Stewart should play the great bald character.
asserted
Stewart → play → character
There was no equaling the leading-man gravitas he brought to the genre world through seven seasons and several movies of Star Trek: The Next Generation.
asserted
he → be → Trek
But Stewart, who passed away on October 28th at the age of 86, was nonetheless able to add another icon to his impressive repertoire, a Shakespearean performer always capable of classing up the joint.
asserted
who → pass → joint
That’s very much how Stewart spent most of the 2000s, after his part in the Star Trek film series was laid to rest with 2002’s Star Trek: Nemesis: He alternated X-Men movies as Xavier, voice acting gigs of all stripes (whose voice had more authority?), and stage work, mostly in Shakespeare plays in London.
asserted
voice → ’ → London
Of these, the X-Men movies arguably asked the last of him.
asserted
movies → ask → him
His character had such strong superpowers that the original three films — X-Men, X2, and X-Men: The Last Stand — went to increasingly drastic measures to keep him out of the climactic action, with the understanding that Charles Xavier could probably, left to his own devices, end too many fights too easily.
uncertain
Xavier → have → fights
So in the first film, his massive power-amplifying Cerebro device is poisoned, putting him in the hospital; in the second, he is incapacitated and kidnapped, so that bad guys may use his powers for their own nefarious means; and in the third, he’s atomized halfway through, killed only to be brought back in a post-credits scene.
uncertain
he → amplify → scene
That’s dumb comic-book stuff in a movie that gives no one in its cast their due as performers.
asserted
that → ’ → performers
Yet as the repeated killing of Professor X went from rushed plot turn to heartbreaking development to, finally, a running gag in the Doctor Strange sequel (where he appears as an alternate-universe Charles), Stewart gave the many deaths of his character a real poignancy.
asserted
Stewart → repeat → poignancy
When he’s seen at the end of X-Men: Days of Future Past, there couldn’t be a more efficient shorthand to telling the audience all is well with this rejiggered present day.
asserted
all → see → day
When he rolls into Multiverse of Madness just to get killed by a rogue Scarlet Witch, he betrays no diminishment of his grand pronouncements, no hint that he’s doomed for almost a goof.
asserted
he → roll → goof
And then there’s Logan, the X-Men movie where the deaths feel genuinely painful.
asserted
deaths → ’ → ?
In a story set in the future, a disoriented Charles Xavier lives under the guardianship of Logan (Hugh Jackman), also known as Wolverine, with Xavier’s dementia augmented by dangerous seizures which apparently killed several X-Men years earlier.
asserted
which → set → Men
Seeing this character and actor whose authority rings throughout the series so vulnerable, so dependent on Logan, and so occasionally (and profanely) resentful about his limitations, brought as much grim reality into the series as Jackman’s much-loved performance.
asserted
authority → see → performance
(A number of critics’ groups nominated Stewart’s supporting performance for awards, though he didn’t make the cut at the Oscars.)
asserted
he → nominate → Oscars
But there’s warmth, too, as in the sequence where Logan, his daughter, and Charles stay with a family who temporarily shelters them.
asserted
who → ’ → them
“This is what life looks like,” he tells Logan.
asserted
he → look → Logan
This could sound like a familiar bromide in another voice.
uncertain
This → sound → voice
In Stewart’s, you hang on his every word.
asserted
you → hang → word
When Charles Xavier dies in Logan, it’s not with momentous parting words or through heroic sacrifice; an assassin clone of Wolverine stabs him, and a few minutes later, he is gone, murmuring to the real Logan about the boat they planned to buy.
asserted
they → die → boat
Though Xavier is, by this point, well into old age and cognitive decline, it’s still the moment of Logan that actually threatens to feel like too much — a tragedy too far.
asserted
that → ’ → much
That’s because of Stewart.
asserted
That → ’ → Stewart
You could kill him off onscreen several times without losing its string.
uncertain
You → kill → string
It stings now, too.
asserted
It → sting → ?
Where to Stream the X-Men Movies
Though the X-Men series was produced by 20th Century Fox before Disney’s acquisition of the company, and they exist mostly out of continuity with the Marvel Cinematic Universe that Marvel made in-house, Disney now owns the rights to them as part of the Fox catalog.
asserted
Disney → stream → catalog
As such, they’re all currently streaming on the Disney+ platform (even the R-rated Logan).
asserted
they → stream → platform
Disney+ offers a number of subscription options, so you can find the one that works for you.
asserted
that → offer → you
With ads, a subscription costs $12.49/month; without ads, it’s $21.49/month or $214.99/year.
asserted
it → cost → ads
There are also Disney+ bundles with Hulu, HBO Max, and ESPN+, so you can subscribe to up to three services at once and save over 40% every month.
asserted
you → be → %
The bundles are available in a few different configurations, starting at $12.99/month for Disney+ and Hulu with ads, and going up to $34.99/month for Disney+, Hulu, and Max ad-free.
asserted
bundles → start → Disney+
Of the 14 movies in the series (if you count Deadpool & Wolverine), Stewart appears, in at least some capacity, in five of them (not counting the weird CG version that appears in X-Men Origins: Wolverine).
asserted
that → count → Origins
The first X-Men movie remains one of the strongest 21st century superhero movies; a lower budget and uncertain franchise future allowed the movie a tighter focus on character than these things typically get, and that extends to Stewart’s performance as Charles Xavier.
asserted
that → remain → Xavier
The point-of-view characters are Wolverine (Hugh Jackman) and Rogue (Anna Paquin) as they’re introduced to the world of the mutant superheroes, but it’s Xavier who is their (and therefore our) guide in this process.
asserted
who → introduce → process
He also gets to verbally tussle with his real-life pal Ian McKellen, playing Xavier’s frenemy Magneto, establishing a relationship that echoes across the entire X-Men saga.
asserted
that → get → saga
Stream X-Men on Disney+ -
X-Men: Days of Future Past (2014)
Stewart doesn’t have the biggest role in this movie, given that it mashes together the prequel cast of X-Men: First Class, where James McAvoy plays a younger Xavier, with the less prominent (except for Wolverine of course) older players.
asserted
McAvoy → stream → players
But he still plays a crucial part in the film’s dark-future narrative, its neat denouement, and a mid-movie encounter between the younger Xavier and his older self, attempting to convince him to keep fighting.
asserted
he → play → him
…and 4 more, not listed.