This episode was the best romcom of the year. I wish TV had more like it

Read the original at The Sydney Morning Herald ↗
Cite

Watson, M. (2026, October 27). This episode was the best romcom of the year. I wish TV had more like it. The Sydney Morning Herald. https://www.smh.com.au/culture/tv-and-radio/nobody-wants-this-season-three-sasha-and-morgan-review-20261027-p615t1.html?ref=rss&utm_medium=rss&utm_source=rss_feed

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The Sydney Morning Herald · collected 2026-10-27 · by Meg Watson

Quick Summary

This article praises an episode of the TV series "Nobody Wants This" as one of the best romantic comedy episodes of the year, focusing particularly on the slow-burn romance between Sasha and Morgan. The author details how their relationship has developed over multiple seasons, culminating in a pivotal kiss that mirrors classic moments from shows like "New Girl" and "The Office." Directed by Richard Shepard with a soundtrack featuring LCD Soundsystem, the episode titled "Watch What Happens" is highlighted for its emotional depth and well-crafted build-up.
Written locally by qwen2.5:14b on 2026-10-27, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

The latest episode of Netflix's romantic comedy series *Nobody Wants This* has been hailed as one of the best romcom moments of the year. In this episode, characters Noah (played by Adam Brody) and Joanne (Kristen Bell) share a passionate kiss through the blinds of an empty office before the season-two finale cuts to black, creating intense anticipation for viewers. The show's unique setting in New York allows for a surreal and intimate dynamic between the supporting characters who are free from their usual roles back home. This moment has drawn comparisons to iconic TV kisses from shows like *New Girl* and *The Office*, where long-awaited romantic moments captivate audiences.

Written for “TV Episode Review” on 2026-10-27, grounded in this article and the 0 other(s) covering the same event.

Story

📰 TV Episode Review
Entertainment · 1 article(s) covering the same event.

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How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
37
sentences that state something as happening or true
Uncertain
5%
2 of 37 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-27 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 5147 article(s) · 12 correction(s) detected
Running correction rate · 12 correction(s)

Who wrote this

Meg Watson
2 article(s) here · 1 carrying a prediction
🔮 The show may be the world’s favourite comfort watch but that stolen glimpse of their first kiss, through the blinds of an empty office before the season-two finale cut to black, was TV at its most electric.
🔮 Crucially, however, Kelly had never worked with puppetry before: “Down the track, we realised, ‘Oh, when you want to shoot five seconds of footage with a puppet, that will probably take you half a day!’
Also by Meg Watson
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

LCD Soundsystem’s Netflix New York Succession Veep

Subjects

Joanne PERSON · 4× Morgan PERSON · 4× Sasha PERSON · 4× Noah PERSON · 3× Esther PERSON · 2× Jess PERSON · 2× Jim PERSON · 2× New York GPE · 2× Nick PERSON · 2× Pam PERSON · 2×

Narrative

By picking up these characters from the most definitively LA show on television and dropping them in a New York hotel (visiting the city for Morgan’s appearance on Watch What Happens Live), it allows for a more surreal and intimate dynamic to flourish. Noah and Joanne’s phones are turned off back home – perfect sitcom high jinks in itself – and these supporting characters are free to be the leads, playing out whatever fantasy they have of themselves separately and as a potential couple (Pretty Woman-style dress montage included).
framing: assertive · carried by 1 article(s) · first seen 2026-10-27
🔮 The show may be the world’s favourite comfort watch but that stolen glimpse of their first kiss, through the blinds of an empty office before the season-two finale cut to black, was TV at its most electric.
2026-10-27 · The Sydney Morning Herald
This episode was the best romcom of the year. I wish TV had more like it · assertive framing

Claims (37 extracted, 2 hedged)

I can recall certain TV kisses the way sports fans remember iconic plays. asserted
fans → recall → plays
I know where I was and how it felt, holding my breath in the building anticipation. asserted
it → know → anticipation
I can still hear the squeal that involuntarily left my body as the moment finally arrived. asserted
moment → hear → body
The best ones are those that really make you wait. asserted
you → make → ?
It took Nick (Jake Johnson) and Jess (Zooey Deschanel) 39 episodes of New Girl to passionately kiss – drunk but more clear-headed than ever – in the hallway of their shared loft, her then-boyfriend waiting on the other side of the bedroom door. asserted
boyfriend → take → door
We waited 28 episodes for Jim (John Krasinski) to work up the courage to confess his love to Pam (Jenna Fisher) at Dunder Mifflin’s casino night in The Office. asserted
Jim → wait → Office
The show may be the world’s favourite comfort watch but that stolen glimpse of their first kiss, through the blinds of an empty office before the season-two finale cut to black, was TV at its most electric. uncertain
finale → steal → electric
Netflix romcom Nobody Wants This asserted
Nobody → want → This
It was in the show’s second episode that hot rabbi Noah (Adam Brody) and sex podcaster Joanne (Kristen Bell) locked lips on the street after rationalising they were “just friends”, her face cupped in his hand as bubblegum electro-pop swelled in the background. asserted
pop → lock → background
But 25 episodes later, it’s a different couple that has my attention. asserted
that → ’ → attention
In its just-released third season, this fun and fizzy series has landed something you don’t see so much any more: a proper slow burn. asserted
you → release → something
Noah’s brother Sasha (Timothy Simons, Veep) and Joanne’s sister Morgan (Justine Lupe, Succession) have had a strange intimacy since the start. asserted
brother → have → start
Sure, Morgan was literally repulsed by him (“The brother is brutal. asserted
brother → repulse → him
Vomit emoji” she immediately texted Joanne in season one). asserted
she → texte → season
But her barbs were always taken with jest and understanding. asserted
barbs → take → jest
The next time they met they bonded over being the “loser siblings”, and by the finale of season one they were hiding their blossoming but awkward friendship from Sasha’s wife, Esther. asserted
they → meet → wife
I love that it took us more than another full season, and the respectful dissolution of Sasha and Esther’s marriage, to find out the answer. asserted
it → love → answer
And the resulting episode, well-earned after years of tension, stands alone as one of the best romcoms of the year. asserted
episode → result → year
Directed by Richard Shepard and written by Jenni Konner and Megan Mazer, the episode, titled Watch What Happens, ends with Sasha and Morgan’s Nick-and-Jess/Jim-and-Pam moment – an almost missed kiss at a bedroom door, landed on the crescendo of LCD Soundsystem’s iconically melancholic power ballad New York, I Love You but You’re Bringing Me Down. asserted
You → direct → Me
By picking up these characters from the most definitively LA show on television and dropping them in a New York hotel (visiting the city for Morgan’s appearance on Watch What Happens Live), it allows for a more surreal and intimate dynamic to flourish. Noah and Joanne’s phones are turned off back home – perfect sitcom high jinks in itself – and these supporting characters are free to be the leads, playing out whatever fantasy they have of themselves separately and as a potential couple (Pretty Woman-style dress montage included). asserted
montage → pick → couple
In the episode’s 25-minute run time they have reckoned with their feelings for each other, flirted with taking it further, decided against it and turned back with ease. asserted
they → reckon → ease
And if that sounds like too much to handle in a 25-minute run time, you’re probably not familiar with the director’s previous work. asserted
you → sound → work
Shepard is the same man who helmed Lena Dunham’s iconic and impressively load-bearing standalone episodes on Girls including One Man’s Trash, American Bitch and The Panic in Central Park – that last one another romantic, surreal adventure through New York, featuring a would-be couple weighed down by the heaviness of their real lives. asserted
one → helm → lives
writer of this episode, and Nobody Wants This co-showrunner since season two asserted
Nobody → want → season
Watch What Happens may not go down in TV history as a “perfect episode” in the same way as The Panic in Central Park (though it might for romcom diehards who delight in seeing new spins on old tropes) but it is testament to how powerful it is when a series can cash in on long-term character growth and well-nourished relationship dynamics. uncertain
series → watch → growth
And that’s something increasingly rare in a TV landscape where so many of our favourite shows drop only a handful of episodes every couple of years and sometimes disappear without a trace. asserted
many → ’ → trace
Almost every great TV romance was built in the pre-streaming era, when network and cable shows were given more than 20 episodes to play with each season – enough room to craft a full story arc without fear of cancellation – and audiences would spend almost half a year with these characters as new instalments rolled out each week. asserted
instalments → build → characters
Cheers fans tuned in to watch Sam and Diane flirt for six months before they kissed in the season-one finale. asserted
they → tune → finale
Ross and Rachel took 31 episodes to kiss in Friends, and audiences were still hanging off the drama of whether they would or wouldn’t end up together in the series finale nine years later. asserted
they → take → finale
These are impossible standards to live up to in an environment where the longest season-run you can hope for is generally 10 episodes – all of which will probably drop on the same day and be largely forgotten the next. asserted
all → live → day
But that makes it all the more impressive when something special and truly squeal-worthy slips through the cracks. asserted
something → make → cracks
Nobody Wants This is now streaming on Netflix. asserted
This → want → Netflix
We’ve got you. asserted
We → get → you
Get The Watchlist delivered every Thursday. asserted
Watchlist → get → ?
- Sam Pang returns: What did the most popular man on TV do after winning the Gold Logie? asserted
man → return → Logie
- A field guide to Nathan Fielder: What to watch while you wait for You Can See Everything, “the movie of the year”. asserted
You → watch → year
- Watch (below): Deputy TV editor Meg Watson recommends Dustfall, the incredible new ABC drama you should be watching. asserted
you → watch → Dustfall
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