Tom Rhys Harries on bringing DC’s first horror film Clayface to life

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Cite

Huggett, P. (2026, October 23). Tom Rhys Harries on bringing DC’s first horror film Clayface to life. Evening Standard. https://www.standard.co.uk/culture/film/tom-rhys-harries-clayface-dc-horror-film-b1302120.html

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Evening Standard · collected 2026-10-23 · by Poppy Huggett

Quick Summary

Tom Rhys Harries discusses his role in "Clayface," a horror-thriller that marks DC Studios' first venture into the genre and is now playing in UK cinemas. The film follows Matt Hagen, a Hollywood actor who transforms into Clayface after pursuing stardom relentlessly. Directed by James Watkins, it explores themes of ambition and emotional turmoil while incorporating iconic elements from 90 years of DC lore. With a reported production budget of $44 million, the movie has generated strong early box office interest in the US with Thursday preview screenings earning an estimated $3.5 million or more.
Written locally by qwen2.5:14b on 2026-10-23, using this article's own text rather than the other coverage of the same event (that is the story summary below).

AI analysis runs on qwen2.5:14b, locally

Story summary

Clayface, directed by James Watkins and starring Tom Rhys Harries, premiered in UK cinemas on October 23, marking DC Studios' first venture into horror. The film explores the dark transformation of Hollywood actor Matt Hagen (played by Harries) as his ambition turns gruesome. Shot primarily in Liverpool, the movie combines iconic DC elements with a British feel, emphasizing its emotional core over just being a typical horror flick. Watkins notes that the appeal lies not only in the fear factor but also in the compelling narrative about personal cost and ambition.

Written for “Clayface Horror Film Debut” on 2026-10-23, grounded in this article and the 0 other(s) covering the same event.
Why this leaning score
This article does not take a side on a contested political question, so it has no leaning score. That is an answer rather than a gap: a match report or a rescue can be warmly or critically written without being left or right, and scoring it anyway is how approval of a subject gets recorded as a political position.
No political leaning scored for article 102425 · logged 2026-10-23

Story

📰 Clayface Horror Film Debut
Entertainment · 1 article(s) covering the same event.

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Claims extracted
12
sentences that state something as happening or true
Uncertain
8%
1 of 12 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
65/100
Evening Standard's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-23 · how these are computed

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Source leaning vs. consistency

Publisher

Evening Standard · 6792 article(s) · 56 correction(s) detected
Running correction rate · 56 correction(s)

Who wrote this

Poppy Huggett
59 article(s) here · 0 carrying a prediction
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Also by Poppy Huggett
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Topics

British DC Studios Hollywood Liverpool Welsh

Subjects

Watkins PERSON · 2× British NORP · 1× DC Studios ORG · 1× Hollywood GPE · 1× James Watkins PERSON · 1× Liverpool GPE · 1× Matt Hagen PERSON · 1× Standard ORG · 1× Tom Rhys Harries PERSON · 1× Welsh NORP · 1×

Narrative

Directed by James Watkins, the film marks a departure from the traditional superhero blockbuster, instead exploring the disturbing transformation of a man whose ambition comes at a horrifying cost. But Watkins believes the film's appeal extends beyond its horror sequences, with the director telling the Standard that it was the emotional story at the heart of the script that drew him to the project.
framing: assertive · carried by 1 article(s) · first seen 2026-10-23
2026-10-23 · Evening Standard
Tom Rhys Harries on bringing DC’s first horror film Clayface to life · assertive framing

Claims (12 extracted, 1 hedged)

Tom Rhys Harries has said he is “really proud” of Clayface as DC Studios ventures into horror with its latest big-screen adaptation. asserted
Studios → say → adaptation
The Welsh actor plays Matt Hagen, a Hollywood actor whose pursuit of stardom takes a gruesome turn in the standalone horror-thriller, which arrives in UK cinemas today (October 23). asserted
which → play → cinemas
He said: “It’s a really iconic DC villain, who's existed for almost 90 years. asserted
who → say → years
“We've got a huge pool of different creatives, writers, illustrators, different media forms to pull from, for cherry-picking the best bits to bring into the big screen for the first time. asserted
We → get → time
“We shot Gotham in Liverpool, and I think the benefit of being able to shoot in exteriors as opposed to sound stages or sets, is that you're actually living in the world. asserted
you → shoot → world
“Whilst this is obviously a DC film, it has such a British feel to it. asserted
it → have → it
Directed by James Watkins, the film marks a departure from the traditional superhero blockbuster, instead exploring the disturbing transformation of a man whose ambition comes at a horrifying cost. But Watkins believes the film's appeal extends beyond its horror sequences, with the director telling the Standard that it was the emotional story at the heart of the script that drew him to the project. asserted
that → direct → project
Watkins told the London Standard: “When I read the script, Mike Flanagan, who's a brilliant writer-director, had written this script, and it just seemed so compelling. “The story of this guy that starts out as this sort of golden movie star guy, and he's worked his way up, and he's got such a great life, and then he loses everything. “ asserted
he → tell → everything
And the journey, the dark journey that he goes on, it felt emotional. asserted
it → go → that
It had a kind of heart and heartbreak, and so it had a context of real human emotion to create all these incredibly icky horror moments within it. asserted
it → have → it
Read More The film also stars Naomi Ackie, David Dencik, Max Minghella and Eddie Marsan, with its more modest reported net production budget of $44 million before marketing costs distinguishing it from some of DC's larger-scale superhero productions. asserted
budget → read → productions
The film has also made an encouraging early start at the US box office, with Thursday preview screenings generating an estimated $3.5 million or more, according to Deadline. uncertain
screenings → make → Deadline
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